Archive for the ‘Canon Video’ Category

My church has upgraded to new cameras with Canon XHA1 HDV Camcorders.
And they recorded one event with it with a mini dv tape, and I’m trying to help find a DV firewire cable for it.

Does this camcorder come with a DV Firewire? Or would I have to get it from Canon?

My camcorder (Canon HV20 HDV Camcorder) will playback recorded material from a tape and the mini sd card but for some unknown reason it will not record anything. Please, what is the problem?

Welcome to this free guide series, this time we are going to discuss how to import .mod files into FCE (Final Cut Express).

Need to play back and edit .MOD video files with FCE? If you have just got a new camcorder and are killing yourself to understand how to read, convert and import .MOD video files into FCE (Final Cut Express), I think I have got some solutions for you.

After long time working with JVC Everio, I decided to get myself a new small little jewel of a camcorder on my birthday last month, the Canon FS-100. the Canon FS and HF series, alongside some other existing video cameras, including the JVC Everio I mentioned above, and the Panasonic D-Snap SD-card camcorders, suffer from a frustrating disease: difficult to import .MOD into FCE and incompatible .MOD files with many video editing tools.

The Canon FS, JVC Everio and Panasonic D-snap series creates video files with a .MOD extension. MOD video files are nothing but MPEG-2 files with AC3 audio. Apparently, and I have tested this out personally, .MOD files can be easily renamed into .AVI or .MPG files and can then be read easily by most video editing or playback tools.

FCE (Final Cut Express) is designed as a capable non-linear editing system for people who are working with one of the three popular consumer video formats, DV, HDV, and AVCHD. Final Cut Express also allows importing video files compatible with iMovie 08.

Although both AVI and MPG are popular windows formats, they are just not as popular as QuickTime .mov on Mac. Simply rename .mod into .avi or .mpg makes no difference if you want to import mod files to FCE, it just can¡¯t work. Arriving at this point, according to experience, the most practical way is to convert .mod to .DV, MPEG-4 or MOV file that compatible with both FCE and iMovie.

Indeed, though sounds like simple, you can¡¯t afford to miss a few key points to make sure the whole process to work smoothly. I have taken the time to put together this simple mini-guide on how to import .MOD files into FCE, or import .MOD to standard compatible video files that can be read and edited by Final Cut Express.

To resolve this situation, here is what you need to do:Mac users will need in fact to purchase, albeit at a small price, something that will allow them to read properly native MPEG-2 video files. I have a great solution on this front after many comparison and test.

Mac users can take advantage of Video Converter for Mac software which will convert the original .MOD files to just about any video file format you may want. In the case to import MOD video to FCE, we need to convert .mod to DV or MPEG-4 formats. For top video quality and best out effect, video converter for Mac provides powerful yet simple-to-use video editing tool, you can tweak Resolution, bit rate, frame rate, contrast saturation and brightness, etc.

If you got many .mod files converted at one time, the program allows you to merge them into one file. If you need to only rip audio from video, fine, you can rip the audio and save them as different format like mp3, AAC or FLAC, etc as you like. Besides that, you can also take still images form MOD video clips using video converter for Mac.

On a positive note, for those wanting to simply upload their .MOD video files to a video sharing site, Google Video accepts .MOD files directly for upload and publication, without the need to convert the files into any other format.

Ordinary people have been trying to get their hands on a high definition video camera. And you might wonder why and if you should get one for yourself too.

The little significant moments in our life can be recorded because of man’s latest innovation regarding cameras. A birthday, a graduation, a wedding ceremony, a catastrophe, even the birth of a baby animal can now be recorded and captured with the use of HD video cameras.

These cameras, unlike the other cameras of the past – black and white and unattractive, are one of the must-haves of each person who is interested in keeping memories of real life experiences. Sad to say, it is now time to say goodbye to standard cameras and greet the high definition video cameras with open arms. Owners of SD cameras may now throw away their last season’s purchase and go to the nearest HD video camera store.

SD Video Camera – Wipe those tears away for your old SD video camera, and don’t look back. Yes, perhaps the SD cameras were once the camcorder T-Rex’s of the 90’s, boasting their colorful quality in high definition television sets. However, as the years passed, customers are now demanding better gadgets everyday -gadgets that aim toward comfort and convenience. And with perfect timing, high definition cameras swooped in the camera industry, and standard definition cameras started to become the thing of the past.

HD Technology – For those of you who are interested in a high definition video camera’s technicalities, you may browse through online sites, brochures or catalogues of famous manufactures such as Sony, Canon, Panasonic, and JVC. These four manufacturers are one of the first few companies that developed the HD video camera during the late 90’s.

Reviews – Online websites that focus on camcorders provide an in-depth coverage of specs and ratings of a certain camcorder. Not to mention, a chance to compare prices, specs, advantages and disadvantages. Perfect for helping you decide which brand of high definition video camera you should buy.

Cost – Regarding the cost, since HDV cameras have just been released a couple years back. They are still quite pricey compared to the standard cameras used by the public. However, if you think about it in the long run, HDV cameras are a good investment for your videos compared to the SD cameras. Why? These brand new cameras are able to record real-life moments and allow you to watch them in your computers, portable video players, I-pods or television sets.

Many individuals even wish that high definition cameras started way back in the early 60’s or 70’s, wherein so many significant and maybe even historical events took place. But alas, camcorder innovations were only speeded up during the 90’s. However, most of HD video camera buyers were content with their purchase despite the high price and are now able to create videos with quality equivalent to those made in the film industry.

Part 1, What are TOD files? Video file captured by a JVC Everio video camera, such as the GZ-HD3 and GZ-HD7; saved in a proprietary format that can be viewed using the Cyberlink software included with JVC video cameras. Recent versions of other video-editing programs may also be able to import TOD files (see below); the included Cyberlink PowerDirector application can import TOD files and export them as . MPG files, which are viewable by most video-editing programs. NOTE: Some JVC Everio cameras save video files with a . MOD extension, which is similar to the TOD format. Part 2, MOD and TOD files MOD and TOD are informal names of tapeless video formats used by JVC (MOD and TOD), Panasonic (MOD only) and Canon (MOD only) in some models of digital camcorders. Format names correspond to extensions of video files. Neither JVC nor Panasonic, who pioneered the format, explained meaning of the file extensions. MOD is used exclusively for standard definition video files, while TOD is used for high definition files. The formats were never given an official name. MOD video can be viewed on a computer with a player that is capable of reproducing MPEG-2 video. This video can be easily authored for watching on a DVD player without recompression, as it is fully compliant with DVD-video standard. TOD format is comparable with AVCHD, but cannot be directly played on consumer video equipment. Media files must be packaged into distribution formats like HD DVD or Blu-ray Disc, using authoring software. One of TOD recording modes, “1440CBR”, has the same frame size, aspect ratio and frame rate as 1080i HDV, and can be loosely called “HDV on disk”. Products JVC MOD camcorders* 2004: GZ-MC100 (SD), GZ-MC200 (SD)* 2005: GZ-MG30 (HDD), GZ-MG70 (HDD)* 2006: GZ-MG37 (HDD), GZ-MG77 (HDD), GZ-MG505 (HDD, SD/SDHC card)* 2007: GZ-MG130 (HDD), GZ-MG155 (HDD), GZ-MG255 (HDD), GZ-MG555 (HDD, SD/SDHC card)* 2008: GZ-MS100U (SD/SDHC card) * 2008: GZ-MG7230 (30 GB HDD, MicroSD)* 2009: GZ-MG630 (60 GB HDD, MicroSD), GZ-MG670 (80 GB HDD, MicroSD), GZ-MG680 (120 GB HDD, MicroSD) JVC TOD camcorders* 2007: GZ-HD7 (HDD, SD/SDHC card), GZ-HD3 (HDD, SD/SDHC card)* March 2008: GZ-HD5 (HDD, MicroSDHC card), GZ-HD6 (HDD, MicroSDHC card)* June 2008: GZ-HD30, GZ-HD40 (HDD, MicroSDHC card, dual TOD and AVCHD recording) Panasonic MOD camcorders* 2003: SV-AV100 (SD card) * 2005: SDR-S100 (SD card)* 2006: SDR-S150 (SD/SDHC card)* 2007: SDR-S10 (SD/SDHC card), SDR-H18 (HDD, SD card), SDR-H200 (HDD, SD/SDHC card)* 2008: SDR-H40 (HDD, SD/SDHC card), SDR-H60 (HDD, SD/SDHC card)* 2008: SDR-SW20 (SD/SDHC card)Canon MOD Camcorders * 2008: FS100 (SDHC), FS10 (SDHC), FS11 (SDHC) Part 3, How to play TOD files on Mac? Try either MPlayer OS X or VLC Media Player. They are all free. These excellent and free multimedia players can tackle many of the video formats unknown to QuickTime. They contain a decoder to decode the . TOD files. They will also play many of the formats you will find inside the . TOD file. More Information about “TOD Files and play TOD files on Mac for free”

A while back, Sony, Sharp, Canon and JVC announced the creation of a new high definition video standard for video cameras – HDV. HDV utilizes MPEG-2 image compression with a definition of 1080 lines and a 16:9 aspect ratio. Shortly after that, Sony opened the door to high definition by creating the first HDV camcorder, the HDR-FX1. This release was on par with the launch of the first DV camcorder in 1995, which at the time was a giant step forward for image quality, marking the break from traditional analog. At the time, consumers were moving from the Hi8 format to DV, which featured much better image quality, along with the ability to transfer to a computer without any degradation of signal. With HDV, the resolution of camcorders can be doubled, from 576 lines to 1080. The compression method is no longer DV, but MPEG 2 instead. HDV exists in two formats – 1080i (interlaced) and 720p (progressive). With interlaced, the video camera records 1080 lines in interlaced images, which is half images of 540 lines each that are displayed 60 times per second. With 720 progressive, the video camera records 720 lines in progressive images, which are full images that are displayed 30 times per second. Sony chose to use 1080i on the HDR-FX1, where JVC chose to use 720p for the GR-HD1, which is sold only in NTSC format in the USA and Japan. The progressive mode format requires a television set that supports it, while interlaced mode is the natural scan mode that televisions use. The question today is which of the two formats deliver the best image quality. With several high definition video cameras on the market today, the question of image quality all depends on the camera and features, along with your television or method of play back. All high definition video cameras are amazing in quality and playback, which is why they have become so popular is such a small amount of time. With Sony, JVC, and Canon continuing to develop HDV, you know the technology will continue to get better and better. When high definition first hit the market, it was an instant success. With the integration of HDV, camcorders allow you to do what you never could before. If you like to record precious memories, a high definition video camera is just what you need. They are very handy to have around, and there are several out there these days for you to choose from – all you need to do is pick the best one for you. Steve Cownley http://allsortsofbits. comoj. com/

A while back, Sony, Sharp, Canon and JVC announced the making of a new high definition video standard for video cameras – HDV. HDV utilizes MPEG-2 image compression with a definition of 1080 lines and a 16:9 aspect ratio. Shortly after that, Sony opened the door to high definition by making the first HDV camcorder, the HDR-FX1.
This release was on par with the launch of the first DV camcorder in 1995, which at the time was a giant step forward for image quality, marking the break from traditional analog.
At the time, consumers were moving from the Hi8 format to DV, which featured much better image quality, along with the ability to transfer to a computer without any degradation of signal. With HDV, the resolution of camcorders can be doubled, from 576 lines to 1080. The compression method is no longer DV, but MPEG 2 instead. HDV exists in two formats – 1080i (interlaced) and 720p (progressive). With interlaced, the video camera records 1080 lines in interlaced images, which is half images of 540 lines each that are displayed 60 times per second. With 720 progressive, the video camera records 720 lines in progressive images, which are full images that are displayed 30 times per second? Sony chose to use 1080i on the HDR-FX1, where JVC chose to use 720p for the GR-HD1, which is sold only in NTSC format in the USA and Japan. The progressive mode format requires a television set that supports it, while interlaced mode is the natural scan mode that televisions use.
The question today is which of the two formats deliver the best image quality. With some high definition video cameras on the market today, the question of image quality all depends on the camera and features, along with your television or method of play back. All high definition video cameras are amazing in quality and playback, which is why they have become so popular, is such a small amount of time. With Sony, JVC, and Canon continuing to develop HDV, you know the technology will continue to get better and better. When high definition first hit the market, it was an instant success. With the integration of HDV, camcorders allow you to do what you never could before.
If you like to record precious memories, a high definition video camera is just what you need. They are very handy to have around, and there are several out there these days for you to choose from – all you need to do is pick the best one for you.
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posted by:
Fatima Zaheer

A professional HD video camera is one of the must-haves of avid filmmakers. These video cameras are the hottest item when it comes to the film-making or documentation industry. There are so many high definition camcorders in the market that are available but only a few are noteworthy. These are the:

- Canon XH-A1 HDV Camcorder, – Sony HDR-FX7 Camcorder, – JVC GYHD110U MiniDV Camcorder, and; – Panasonic AG-HVX200.

The Canon XH-A1 HDV Camcorder

This miniature version of the Canon XL H1 performs like its big brother, the Canon XLH1DV. It has a low light performance which is a good feature for a professional HD video camera. However, being small has its drawbacks. It has no lens interchangeability unlike the bigger version. Customers are somewhat skeptical with the 30F and 24F frame rates too but some are finding it easy to adjust to. It also has a bad eyecup design and is quite heavy for a video camera. Nevertheless, this is still good for ENGs, budget documentarians, student filmmakers.

The Sony HDR-FX7 Camcorder

The Sony FX7 is labeled as the company’s consumer camcorder. It has a clear VID CMOS sensors which make a fantastic impression in bright light. Under low light conditions, the performance disappointingly falls to pieces. It can however, omit XLR inputs and external audio level controls.

The JVC GYHD110U MiniDV Camcorder

This camcorder’s lens interchangeability and size is almost the same with the Canon XH-A1 HDV. It has a standard Fujinon 16x ProHD Lens. It comes with true progressive video at 720p but it doesn’t offer interlaced video recording options. The resolution is close to XH A1’s resolution. If you are the type of shooter who prefers larger camcorders and lens flexibility, buy a JVC GYHD110U.

Panasonic AG-HVX200

This camcorder uses the proprietary P2 tapeless recording system. It is able to record DVCPRO video DV tapes, but can only be recorded using Panasonic’s solid state P2 memory cards or an external DTE drive like non-tape media. By using the P2 Cards, you can record non-stop and reduce the tape transfer time because of the camcorders 2 swappable P2 slots. The camcorder relies on pixel shifting to raise the resolution of its 3 1/3 ” CCDs from 500k gross pixel count to a high definition resolution.

Different filmmakers have different professional HD video camera needs. The decision is yours to make. It is up to the aspiring filmmaker to decide which camera will cater to his or her needs more. Is the camera worth the price? That is for the filmmaker to judge.

http://clickherephotographytips.com/ For more than a decade, Canon has brought industry-leading lens optics and image processing expertise to the professional market with the XL Series camcorders.

In that time, leading videographers have come to rely on the superior image quality and ultimate creative control available to them through the XL Series’ features and open architecture system.

The Canon XL H1S HD camcorder has all the features that have made the XL Series a favorite of independent filmmakers, corporate and event shooters, in addition to broadcast and news markets.

To complement the many features that is expected from a video camera of such high quality, the Canon XL H1S has added an even higher level of customization options and capabilities which will make it an even more useful creative partner for the demanding professional.

Industry-standard connections and terminals along with a wider range of image control settings and options are combined with the new Genuine Canon 20x HD Video Zoom Lens III with Professional L Series Fluorite.

To back up that, superb lens are three 1/3″ Native 16:9 CCD with 1.67M Pixels (delivering a full 1440 x 1080) and Canon’s exclusive DIGIC DV II HD Image Processor. The XL H1S is the compelling choice for anyone seeking to produce the best in high definition video.

Wow, so you think that sounds great keep reading the following reviews…

“I have spent entire weekends shooting hours and hours of gorgeous footage, and after editing it together on my computer and viewing the finished product, I have been consistently blown away by the outstanding sound and picture quality the XL-H1S provides”.

“This camcorder is equipped to handle any professional-grade attachment you can throw at it — portable microphones, expandable battery packs and memory cards, filters, lenses, etc. — and is all extremely user-friendly”.

And here is another one…

“Canon has done it again with another truly remarkable camera”.

“This camera is better than most that cost 3 or 4 times as much”.

“Great picture quality, very nicely laid out controls, fast auto focus, very clever image stabilizer and a enormous amount of flexibility”.

“I have been a Canon fan and user for 20 years and have never been disappointed. The Canon XLH1 is a work of art and a thing of beauty”.

Is the Canon XL-H1S 3CCD HDV High Definition Professional Camcorder with 20x HD Video Zoom Lens III the perfect camcorder for you?

Thanks for reading this review from http://clickherephotographytips.com/ .

Cheers
Dean.

HD video cameras are all the rage in the new millennium. Even though prices may be higher than standard definition camcorders, consumers are still buying these cameras from the market. You may wonder what makes an HD video camera different from the rest of the cameras out there. Don’t worry! We’ll get to that soon. First, let’s talk a little about how it all started.

The History of HD Video Cameras

The HDV (High Definition Video) format was developed by JVC, Sony Corporation, Canon Inc. and Sharp Corporation. The huge investors at that time were JVC and Sony. You may say that these four companies were the first companies that offered the consumers HD video cameras. Nowadays, there are other companies that also make HDV hardware products, except Sharp.

The first to release an HDV camcorder was JVC. Their first camcorder was the JVC GR-HD1. It allowed the user to use a standard DV or a HDV using the old 601 color space standard rather than the newer 709 standard. And because of this, and other limitations of the camera, the GR-HD1 did not gain popularity as expected. JVC then shifted their HDV development to shoulder mounted cameras.

On September 2004, Sony was able to release the second HDV camcorder in the market. It was the Sony HDR-FX1 camcorder. Even though it was the second HDV camcorder to be released, it was the first of its kind to gain widespread popularity.

Later, a number of HD video cameras followed. Canon released a number of models in the market that were said to be for both consumers and prosumers. Their popular models are Canon XLH1, XHA1, XHG1, HV10, and HV20.

In 2007, nearly each manufacturer had 1 consumer HD camcorder. The leading manufacturers were Sony, Canon, Panasonic and JVC. Sony is currently in the lead because of its wide selection of models to choose from. Canon, Panasonic and JVC on the other hand may known be in the lead but are manufacturing multiple models for both consumers and professionals. However, the best HDV camcorder for the year 2007 in relation to performance must be awarded to Canon and then followed by Sony. Canon’s HV20 model allowed the manufacturing company to take the top spot in HDV camcorder manufacturing.

Editing Your HDV

Since HDV uses MPEG2 compression to fit HD content onto the same DV or Mini DV tapes, they are somewhat difficult to edit. Splicing HDV for example, will distort the video at splice points because of the interdependencies between groups of video frames.

There’s more. Editing HDV files also forces the computer system to work harder to perform simple tasks of cutting and splicing since the frames in the video do not actually exist as independent cells. So some frames may have to be rebuilt.

But there’s no need to worry since there are advantages to editing HD videos by using a Lossless Intermediate. The result is that the file will increase and you will need a bigger storage for your videos in your hard drive.

Despite its disadvantages and limits, HD Video Cameras are still the most widely used cameras for independent video productions. They can be used for professionals or consumers who are interested in making films, and other non-studio applications like news, and documentaries.